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The disconcerting score and occasional jump-scares have been there all along, but it’s not until Chris awakens to find himself officially held captive that the movie finally starts to really feel like a Blumhouse production — and Peele relishes how over-the-top he can finally go.
“Get Out” , so to speak, and though one could argue that it crosses the line, the film’s subversive p.o.v. Executive producers: Raymond Mansfield, Couper Samuelson, Shaun Redick, Jeanette Volturno.
“Guess Who’s Coming to Dinner” meets “The Stepford Wives” in “Get Out,” in which a white girl brings her black boyfriend home to meet her parents, whose superficially warm welcome masks an unthinkably dark secret.
Blending race-savvy satire with horror to especially potent effect, this bombshell social critique from first-time director Jordan Peele proves positively fearless — which is not at all the same thing as scareless.
Their easy existence will cause viewers to invoke the H-word about their class and generation, but then The Guy reveals something about one of them while the other is out gathering supplies for an extravagant brunch (Patrón was on the shopping list).
The young couple’s two-week romance comes crashing down; pure schadenfreude.
The series that examines the lives of customers of a New York pot dealer offers highly addictive, funny, and sometimes heartwarming tales of how they interact with him, known simply as “The Guy,” and their world.